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But what if the place was abandoned for years? How is it still theft/burglary if no one ever goes to the place?
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From what little research I just did, abandoned buildings are still owned by someone, whether it’s the owner and they just forgot, the owner’s descendants, the government, etc. Unless someone says, “hey, this place is open to the public, and you can take from it”, it’s still private property.But what if the place was abandoned for years? How is it still theft/burglary if no one ever goes to the place?
True. Thanks!From what little research I just did, abandoned buildings are still owned by someone, whether it’s the owner and they just forgot, the owner’s descendants, the government, etc. Unless someone says, “hey, this place is open to the public, and you can take from it”, it’s still private property.
I just did that with PHAV. I had an idea for a chapter, only to split the chapter into two so it wouldn't feel so rushed, only to cut out over half of the stuff I had originally written.Have you guys ever had a chapter planned out a certain way, but you decide to scrap it and do something else with it because it does not really fit in the story?
Wow. I straight up deleted half the chapter that I had, since I felt it really didn't add anything to the story. I realized that there was a better way to have the story go.I just did that with PHAV. I had an idea for a chapter, only to split the chapter into two so it wouldn't feel so rushed, only to cut out over half of the stuff I had originally written.
For Chapter 3 and 4 of PHAV, I cut out large portions of the first drafts (probably over half fo reach one). Sometimes, I just don't like how the pacing, or a scene feels weird, and I have to delete it. I keep the best ideas of the first draft and expand on them to get a better draft, if that makes sense.Wow. I straight up deleted half the chapter that I had, since I felt it really didn't add anything to the story. I realized that there was a better way to have the story go.
Indeed, it makes sense. This is YOUR story. You do what you think is best for it.For Chapter 3 and 4 of PHAV, I cut out large portions of the first drafts (probably over half fo reach one). Sometimes, I just don't like how the pacing, or a scene feels weird, and I have to delete it. I keep the best ideas of the first draft and expand on them to get a better draft, if that makes sense.
Oh yeah. Big time. I scrapped and rewrote an entire chapter and it took months.Have you guys ever had a chapter planned out a certain way, but you decide to scrap it and do something else with it because it does not really fit in the story?
Had to do this a lot. Part of my future chapters were planned. But whenever I get to them, I took some level of improvisation and this ended up changing a few things. For the sake of pacing and plot progression. There are times when I feel certain scenes escalate too much, too fast, so I ended up cutting out some content or delaying them for later chapters.Have you guys ever had a chapter planned out a certain way, but you decide to scrap it and do something else with it because it does not really fit in the story?
That's a hard question to answer, because it really depends.How much is too much when it comes to exposition? I can imagine that going overboard with it can make the reader not want to keep reading your story.
Yeah. That's partly why I scrapped what I had for Chapter 2. I felt that there was a bit too much going on.That's a hard question to answer, because it really depends.
The best way to give exposition is a little bit at a time, or to make it interesting to read. Maybe a character is telling a humorous/exciting story. Maybe you're dropping bits and pieces throughout your descriptions. Experiment a bit. If the exposition seems to drag on, cut out the less important parts. You don't want to bore your audience, but you also don't want to leave them dry (is that a phrase?)
Well, he is important. I have not fully worked that out just yet. He will be setting out to rescue the Princess when the kidnapping happens.How much is he in the story?
This is something that you don't have to decide on right away. Originally, Hesh in my story was a minor character in previous drafts, serving more as comic relief. But his role expanded in the new iteration of the story, taking the spot of deuteragonist. It's not entirely unprecendented since I did plan for Hesh to have a larger role. But now, it feels like a portion of the story would be lost without him, which is the unexpected part.Where would the line between Supporting Character and Main Character? Like, what would make a Supporting Character a Main Character? What would make a Main Character, a Supporting Character?
I am wondering if Leon should be labeled as a Supporting Character or a Main Character in my story.