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I liked the guide as it's worth addressing the awkward cut-offs of the earlier Seasons and why that existed. This also had a lot of do with Syndication as a US (and UK) broadcasting concept. In order to enter US syndication and make sure people brought your package version for rebroadcast on...

I mused on the idea in my first post but it really would of had to come from a company that actually had the *passion* to put that work in or at least some motive for doing so. The example I used was a show that was a joint Japan-Europe co-production and they clearly had people on their teams...

While I don't think 4Kids is entirely innocent - I feel like they never entirely cared about properties they dubbed enough for actually hate their origins or anything. I mean considering their later history, they clearly did deeply believe that the success of their shows depended on localizing...