- Joined
- Jan 2, 2010
- Messages
- 7,283
- Reaction score
- 3,150
This one was another on my Awards list:
On the face of it there's not much new about Ultra Beasts destroying the world. But then, the Ultra Beast apocalypse is more of a setting than a plot. I'm ok with that - if anything, I prefer it. It's a reasonable setting to introduce pokémon mechas into, with a reasonable justification. The story is really more of a character study as it stands, flicking back and forth between showing backstory and the setting of the present day. In terms of events it is slow, but this does have a point to it, adding some emotional weight to the present day.
Characterisation
There's a habit of falling back on archetypes here. I remember thinking that I wouldn't be surprised if I saw Sarah turn up in Second Year Rhapsody. For about 80% of the story she's what might be called the generic protagonist, a generically nice trainer and a generically dutiful soldier. To be fair she does start to get some depth in Part 5 when she starts acting out.
But Sombra is really the keystone of the cast, anyway, certainly the character I remember being pleasantly surprised by. Sombra is surprisingly nuanced, in short. She doesn't much like physical affection, but she puts up with it with good grace. She's dutiful, but not insanely devoted to her trainer. She finds humans amusing and confusing, but not to the point of constantly sneering at them. She consistently dodges becoming a caricature, in other words, and I ended up enjoying reading that. Her voice, especially in the inner monologue, is different to what I'd come to expect from a Flaze-fic - kind of wry, a little bit detached and without the habit of making slightly cheesy jokes.
Setting
There's not really a sense of place in the settings. It's hard to see the differences between Ultra Space and the real world, sometimes. I think more than anything the story could do with more of a distinctly Unovan feel to it. It's surprising how little attention is paid to the mechas themselves, and this has knock-on effects with the action sequences losing some real teeth as a result (That's an argument for having some of the mecha battles take place away from Sombra's point of view).
Style
There's something kind of anime-esque about the action sequences - which while they're not the focus of the story per se, still make up a good chunk of the wordcount. They tend to repeat the same basic patterns, described in the same sort of way. Coming back to what I mentioned about the mecha battles under Setting, you'd be forgiven for forgetting that these are pokémon-shaped mechas at all, because the decision to filter everything through Sombra's perception leave the scenes looking like her battling by herself, with the occasional character talking in her ear.
But as I hinted at above, Sombra's inner monologue much flows better, and more believably than most of the spoken dialogue does.
Technical
I'm considering comma use largely a stylistic issue, however, there are plenty of rogue commas in dialogue formatting, and a litter of spelling errors. Mostly looking at a good proof-read.
On the face of it there's not much new about Ultra Beasts destroying the world. But then, the Ultra Beast apocalypse is more of a setting than a plot. I'm ok with that - if anything, I prefer it. It's a reasonable setting to introduce pokémon mechas into, with a reasonable justification. The story is really more of a character study as it stands, flicking back and forth between showing backstory and the setting of the present day. In terms of events it is slow, but this does have a point to it, adding some emotional weight to the present day.
Characterisation
There's a habit of falling back on archetypes here. I remember thinking that I wouldn't be surprised if I saw Sarah turn up in Second Year Rhapsody. For about 80% of the story she's what might be called the generic protagonist, a generically nice trainer and a generically dutiful soldier. To be fair she does start to get some depth in Part 5 when she starts acting out.
But Sombra is really the keystone of the cast, anyway, certainly the character I remember being pleasantly surprised by. Sombra is surprisingly nuanced, in short. She doesn't much like physical affection, but she puts up with it with good grace. She's dutiful, but not insanely devoted to her trainer. She finds humans amusing and confusing, but not to the point of constantly sneering at them. She consistently dodges becoming a caricature, in other words, and I ended up enjoying reading that. Her voice, especially in the inner monologue, is different to what I'd come to expect from a Flaze-fic - kind of wry, a little bit detached and without the habit of making slightly cheesy jokes.
Setting
There's not really a sense of place in the settings. It's hard to see the differences between Ultra Space and the real world, sometimes. I think more than anything the story could do with more of a distinctly Unovan feel to it. It's surprising how little attention is paid to the mechas themselves, and this has knock-on effects with the action sequences losing some real teeth as a result (That's an argument for having some of the mecha battles take place away from Sombra's point of view).
Style
There's something kind of anime-esque about the action sequences - which while they're not the focus of the story per se, still make up a good chunk of the wordcount. They tend to repeat the same basic patterns, described in the same sort of way. Coming back to what I mentioned about the mecha battles under Setting, you'd be forgiven for forgetting that these are pokémon-shaped mechas at all, because the decision to filter everything through Sombra's perception leave the scenes looking like her battling by herself, with the occasional character talking in her ear.
But as I hinted at above, Sombra's inner monologue much flows better, and more believably than most of the spoken dialogue does.
Technical
I'm considering comma use largely a stylistic issue, however, there are plenty of rogue commas in dialogue formatting, and a litter of spelling errors. Mostly looking at a good proof-read.