Misfit Angel
Normal is an illusion
- Joined
- Sep 3, 2013
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- #121
It did not ;P I vaguely remember hearing this word so I googled it, pretty much the only result was your post about it. Perhaps some other time!I see "stinglebank" didn't make it into the final draft.
I imagined her starting the video, but before she could begin her thoughts, Kimberly spoke up first. I could probably go back and touch that up.I think there's something missing in the text there. At first glance it looks like Andrea is monologuing to Kimberly.
The reason I didn't was because of the darkness and the tunnelvision they had for getting to the orbs. They certainly noticed the briars because they physically interacted with them; the grasses, the leaves underfoot, I didn't think that was important. During daylight in the coming chapters that take place in the forest (just one or two left at this point) I'll definitely highlight details like these.There was definitely some space for a little bit more detail in the beginning there. Bramble vines are perfectly good forest fare - I personally know how stubborn the bastards can be, and they only become woodier, thornier, and denser with each passing year. I probably would have tried to find space to mention other species, if only in description, things like goosegrass (Also known as cleavers, stickyweed, catchweed, etc) or bracken. The sorts of things that leave you covered in burrs, seeds, and spores, in short.
That was intended. There were a lot of problems with the Blackwood arc from that story and the Doranshire arc was my attempt to address those. I can understand if readers of both would be disappointed that I'm treading over old ground, but hopefully Doranshire's similarities are the last big thing from Storm Island that'll be appearing (aside from a few character development things).The best I can say is that the chapter reminded me a bit too much of Blackwood from Storm Island.
I think you might have been better off making the "tracker's" cottage more modern and prosaic before turning the apparent safety upside down. I suspect you would have got more out of ambiguous and unknown dangers - was it a crobat or wasn't it, was the tracker human or wasn't she.
I'm not sure which to do here. I love the scenery I set up with the cabin, and it fits with the characterization of an independent hunter who built her own establishment to work and live out of. Perhaps I could reword the outside appearance of it so that it's not so crudely constructed, but the interior (cauldron and all) would probably remain somewhat unchanged.As for the witch... I agree with Pavs. Too much already felt off before things took a turn for the worse. Like, I knew things were going to go bad. Especially when they violated the #1 rule of horror story survival and split up. I think you could've gotten away with the oddly outdated setting or the inhumanly beautiful girl. The combination of both kind of tipped your hand hard.
As far as the woman's beauty, that was very intentional considering what she is, so that's unlikely to change. She'll be making more appearances throughout the story, details like this will likely be touched upon. (bluh, getting into that bad habit of saying "just wait!" again)
I'll fully admit to screwing that one up. That little scene right there had me blocked for nearly two weeks solid, and eventually frustration got the better of me and I just went with what came to mind first. My beta reader didn't offer much in the way of guidance or criticism with this scene; while I thought it was weak, he didn't say anything that made me think it was terrible. I probably go over it, and several other aspects of this chapter, again soonish.The last conversation with the police officer struck me as a odd. Andrea tells Kim that she'll do the talking, but then goes ahead and gives an incoherent and fantastical account. I mean, sure, she's beginning to think in terms of the evidence that she sees, but it seems to me that she might have omitted the weirdest details and tried to portray it as a frightening but rational night - falling back to old habits in a stressful time, really.
I know you don't usually reply much to my responses to your feedback, but... if you could change one thing specifically about the final scene, what would it be? I'm not sure where to go with it (which is why it took so long to get this chapter out) honestly, other than trying to straighten Andrea's story out.
You're barking up the right tree, but not quite there yet. I do have plans to have Andrea return to Doranshire for a brief time later on in the story, but I have no idea if the orbs will be properly explained at or by that point. Kinda want to explain now, but I dunno. Maybe I can do a mini-chapter written as a report like you did with the background checks.Honestly wasn't expecting the hypnotic lights to have been relatively harmless. Or were they? I suppose they could've been the bait to get people out into the forest where they were attacked by ghost crobats and witches and men with knives.
I am quite sure I would have shown more of that chatting fuzzy moment. It's supported well enough by the preceding scene, but the "telling" paragraph stands out rather starkly. I'd have led in to the next scene with the tail end of a conversation - it wouldn't be out of place mood-wise and you could probably do it in as many words if not fewer.
I thought about splitting it somewhere around there, but I didn't want to interrupt the flow with such a heard break. Discussed it with a proofreader and he said that he loved how the action was gotten to right away rather than breaking it up, even if it did end up as a gargantuan chapter in the end.As for the lights scene, I think it could've been expanded. Their rebonding could have been a nice heartwarming moment that would've made the witch chapter more jarring. Honestly if I'd been writing this I would've expanded the dialogue and ended the chapter with an ear-piercing scream ripping through the forest and scaring the lights away. And then maybe post the next part on Halloween because timing promotions.
re: rebonding: That's coming in full force with the next chapter, that's why I only touched on it for now.
Where'd you get that idea with Andrea? Rereading her interactions with the woman, I'm not really seeing it.Related to inhumanly beautiful girl: Andrea and Kimberly are lesbians confirmed.
I doNo self-respecting girl like us makes a story where the cops are good.