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- Sep 8, 2019
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Continuing on in my journey through the classics I missed growing up, this time I watched "Candyman" (1992). Loosely based on the short story "The Forbidden" by Clive Barker (of Hellraiser fame), the biggest departure obviously being the setting change from England to Chicago and thus muh themes of classism had to be converted into racism.
I must say, I was not expecting this type of plot going in. I presumed it would be something like "a bunch of kids in a cabin summon Candyman and he kills them one by one". So I was not at all ready for Candyman tormenting Helen in a psychological manner by killing other people and framing her for the murders to wreck her life. The fact that Candyman runs on belief for sustenance and the ambiguity of whether "Daniel Robitaille" ever really existed at all or was willed into reality by the people of Cabrini-Green to explain the serial killings was very mindbending. That ending is certainly not your typical fare for a horror film and I definitely dig it. Tony Todd really sells it as the villain - this half murderous ghost, half preacher man who goes around dressed like a pimp as he tears people apart with his hook hand. Also worth mentioning is the cameo of Ted Raimi (brother of Sam Raimi) who shows up in the prologue to see his girlfriend get murdered. The score by Philip Glass is incredible in its effective yet minimalist style.
I hear that the sequels dropped the psychological angle and just went with generic slasher flicks that I originally expected the film to be, so I'll probably give them a pass. But this one at least is a definite recommend. (9/10)
I must say, I was not expecting this type of plot going in. I presumed it would be something like "a bunch of kids in a cabin summon Candyman and he kills them one by one". So I was not at all ready for Candyman tormenting Helen in a psychological manner by killing other people and framing her for the murders to wreck her life. The fact that Candyman runs on belief for sustenance and the ambiguity of whether "Daniel Robitaille" ever really existed at all or was willed into reality by the people of Cabrini-Green to explain the serial killings was very mindbending. That ending is certainly not your typical fare for a horror film and I definitely dig it. Tony Todd really sells it as the villain - this half murderous ghost, half preacher man who goes around dressed like a pimp as he tears people apart with his hook hand. Also worth mentioning is the cameo of Ted Raimi (brother of Sam Raimi) who shows up in the prologue to see his girlfriend get murdered. The score by Philip Glass is incredible in its effective yet minimalist style.
I hear that the sequels dropped the psychological angle and just went with generic slasher flicks that I originally expected the film to be, so I'll probably give them a pass. But this one at least is a definite recommend. (9/10)